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Swallow Hill Music presents
An Acoustic Evening with Al Stewart
at the L2 Arts and Culture Center |
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PRESS RELEASE
For Immediate Release
Thursday, July 16, 2009
Contact: Rodolfo Betancourt
rudy@swallowhillmusic.org
Laura McGaughey
laura@swallowhillmusic.org
303.765.2488 |
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DENVER, COLO. (7/16/09) --
Swallow Hill is thrilled to present An Acoustic
Evening with Al Stewart, the legendary international folk rocker known for such hits
as "Year of the Cat," at the L2 Arts and Culture Center on Colfax and Columbine
Streets, on Friday, December 18 at 8
p.m. Tickets go on sale Friday, July 24, and are available on line at
www.swallowhillmusic.org (now with no processing fees), by phone at
(303) 777-1003 x2, or by visiting the Swallow Hill box office at 71 East Yale
Avenue, Denver, Colo.
Al Stewart was born on September 5, 1945, in
Glasgow, Scotland. At an early age he moved to Bournemouth, a seaside town in
the south of England. Whilst growing up in Bournemouth he bought his first
guitar from Andy Summers (The Police) and learned his guitar licks from Robert
Fripp (King Crimson). Other contemporaries in these early years were Greg Lake (ELP),
Lee Kerslake (Uriah Heap) and the infamous George "ZOOT" Money.
Escaping the harsh confines of public school at the age of 16, he decided his
path was to be that of a musician. Stewart started his musical career playing
guitar in various bands (one in particular with disc jockey Tony Blackburn), but
after hearing Bob Dylan, decided his path should be that of a lyricist. In 1965,
he moved to London where he landed the job as the emcee at the legendary folk
club Les Cousines in Soho. During this time, he started writing and performing
at the clubs as well as introducing the likes of Simon & Garfunkel, Cat Stevens,
Bert Jansch, John Renbourne, and Ralph McTell. Surpassing his duties as emcee at
Les Cousines, he started performing at Bunjies and the Troubadour in London. He
then moved on to perform at folk clubs and colleges throughout England with the
likes of The Incredible String Band, Steeleye Span, Fairport Convention,
Pentangle and Roy Harper.
Stewart's first album, Bedsitter Images, was released in 1967, followed
by Love Chronicles in 1969, Zero She Flies in 1970 and Orange
in 1972. Many of these early songs were pages ripped from a diary of love
affairs, Proust-like in detail and startling for their unabashed exposure of
intimacies. If it wasn't the length (19 minutes) of "Love Chronicles" that kept
it from the BBC airwaves, then certainly the explicit lyrics did the trick.
Musicians featured on these albums were Jimmy Page, Rick Wakeman, Richard
Thompson, Phil Collins, Queen’s Roger Taylor and Brinsley Schwartz.
Then came a crucial shifting of gears: Stewart decided to write about any and
everything but himself. He began incorporating historical data and elements of
film, literature and current affairs into his lyrics. Past, Present and
Future, his first U.S. release, was the first record Stewart made using this
approach. It became a cult album that has now sold close to a million copies
worldwide. His next album, Modern Times, cracked the U.S. Top 40 Album
chart that led to a successful U.S. tour. Year of the Cat, released in
1976, became his first platinum album in the U.S. It featured two Top 20
singles, "Year of the Cat" and "On the Boarder." Buoyed by this success, he
moved to Los Angeles and released Time Passages (1978) that also went
platinum and featured the singles "Time Passages" and "Song On The Radio.: This
period was followed by worldwide tours with his band, Shot In The Dark.
Subsequent albums and acclaimed songs followed.
The '90s brought a return to Stewart's folksier roots with a UK solo tour (his
first in 15 years). He enjoyed the freedom of performing the songs acoustically
and, on his return to the United States, recruited long-time musician and
songwriter partner, Peter White, to perform a series of shows in both the U.S.
and Japan. It was during these shows that the album, Rhymes in Rooms, was
recorded. It features some of his most well known songs performed in an intimate
live setting. Its follow up in 1993, Famous Last Words, is an album of
original songs incorporating acoustic instrumentation with traditional folk and
classical styles.
His latest album, Sparks of Ancient Light, was released in the U.S. in
September of 2008 by Appleseed. With a dozen new vignettes of history and
mystery elegantly intertwined by the timeless master of musical storytelling, it
spans at least 2500 years of history in its tales of exotic locations and
situations.
Tickets go on sale Friday, July 24.
For tickets visit
www.swallowhillmusic.org (now with no
processing fees) or call
(303) 777-1003 x2. Discounts are available for Swallow Hill members. Buy in advance and save!
This press
release is also available online at
http://www.swallowhillmusic.org/newsroom/newsmain.htm and also as a RSS Feed at
http://www.swallowhillmusic.org/xml/newsroom/rss/SwallowHillNews.xml.
About Swallow Hill Music
Association: Helping people make and enjoy music since 1979, Swallow Hill Music Association
celebrates its 30th anniversary in 2009 as one of the largest nonprofit
institutions of its kind in the United States as a source for folk, roots and
acoustic music. With more than 2,300 members, Swallow Hill provides a place to
celebrate music that is rarely heard elsewhere in the Rocky Mountain Region.
Three concert venues house more than 200 performances a year, featuring some of
the world's great artists as well as up-and-coming new talent.
Swallow Hill’s Julie Davis School of Music
offers classes for every interest, skill level and member of the family. Each
year, a faculty of 60 instructors provides training to more than 4,000 students.
A Tier II member of the Scientific and Cultural Facilities District, Swallow Hill has been named
one of the Top 25 Movers & Shakers in Arts & Culture by the Rocky Mountain
News, has won both the Mayor's and Governor's Awards for Excellence in the
Arts and countless "Best of Denver" awards, has been recognized by the North
American Folk Alliance, and is one of the most sought-after venues by folk and
roots performers in the country.
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